If my vacation photos are the reason I’m going on vacation, what exactly do I gain by heading for (what I’m reasonably certain are) two of the most photographed national parks in the country? From Ansel Adams’ famous Snake River shot in 1942 to some anonymous tourist’s pic of Old Faithful taken last week, Grand Teton and Yellowstone have been photographed ad nauseam. Why waste my time beating a dead horse? Why not just go sit on a beach for a week instead?
Okay, so even if I went to the beach for a week, I’d still be snapping photos every chance I had, so what’s wrong with me?
I think I just like the doing of it myself. When I go somewhere, whether it’s Boulder Creek or the Grand Canyon of the Yellowstone, it’s not to imitate the photographs of others, but to fully embrace my own personal experience of the place. I go to accept nature’s invitation to draw away and, outside under the open sky, look beyond the boundaries of my own existence.
Photography, for me, is a creative contact with nature. It’s the passionate pursuit of this contact that calls me forward, always forward, to the next photograph. Hidden in each photograph is a new experience. And each new experience gives me a chance to celebrate the gift of being alive.
I must admit, there’s a certain restlessness in this pursuit of the next photograph, the next new experience. I think that’s because deep within each of us there’s a desire to celebrate the gift of life, and we’re always searching for some endeavor that will allow us to do that with every part of our true self. For some, that may be needlepoint or skydiving or gardening or rock climbing. But for me, it’s being outside with a camera.
So why am I heading for (what I’m reasonably certain are) two of the most photographed national parks in the country? Because it’s not just about the photographs I’ll bring back; it’s also about the experience those photographs will represent. That’s why I can never be content just looking at someone else’s pictures of a place. No, I like the doing of it myself.
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